Friday, 22 March 2013
GROUNDWORK
I have just uploaded the first issue of Groundwork.
Collaborators;
Foreword Katie Mooney-Sheppard
The Dublin SITUATION Áine Gallagher
All of the Lights Georgia Corcoran
Come in No. 3 Anna Gallagher
On The Horizon Lorna Murphy
Things To Come Katie Mooney-Sheppard
http://issuu.com/georgiadabizz/docs/groundwork_archizine_january_2013
My piece, All Of The Lights, is the first article after the central photo story. We are currently working on our second issue which will have a theme of animals, in an urban context.
Collaborators;
Foreword Katie Mooney-Sheppard
The Dublin SITUATION Áine Gallagher
All of the Lights Georgia Corcoran
Come in No. 3 Anna Gallagher
On The Horizon Lorna Murphy
Things To Come Katie Mooney-Sheppard
http://issuu.com/georgiadabizz/docs/groundwork_archizine_january_2013
My piece, All Of The Lights, is the first article after the central photo story. We are currently working on our second issue which will have a theme of animals, in an urban context.
le cool issue *175
The Paradise
The Douglas Hyde
has become a gallery I regularly visit whilst never having been to a single
opening it has hosted. This is a compliment. There are many galleries I have
only ever been to for free wine of a Thursday. Here, the smaller space off the
main downstairs area is where I find less 'art world' artists and more
personable pieces. Not quite the current case as Andrew Vickery is described in
the blurb as someone who'se served on the Gallery's Board, but the work remains
charming. The room is propped with a curtained divide, row of chairs and a
small theatre set with various backgrounds of Vickery's scenic paintings that
act as backdrops. You have entered a miniature auditorium. You can sit and
consider the artist's talent or imagine little people walking across the
mountains or by rivers or you can even stand behind the set and make shadow
puppets.
Complete issue -HERE-
Thursday, 28 February 2013
le cool *171
The Adventures of Prince Achmed
le cool issue *172
Michael FitzGerald is Moulting
I'm excited about this show. It's by my good friend Mike (who received a nomination for the distinguished NCAD staff prize graduate show last year - you may recognize it). This is his first solo show. Generally I only befriend highly intelligent and confident people, you'll probably recognise these personality traits within his art work. We're lucky his body of work is ready on time at all. For the last three weeks he has been willing each piece to dry with masses of heaters in a large cold warehouse space. I've only just found out that he has also recorded a sound piece, him singing which will be piped out of a showeresque 'gas-chamberish spout'. Let him work yo into a lather with a voice I have heard hold some fierce Irish ballads at the end of many late nights. Realistically one to watch and perheps invest in.
Salon D'Exploration
Having been shown a photo preview of the work in this collaborative exhibitioin I can say it features pieces really utilising the idea of working with the characters and features of the building, some work literally creeping from the walls. All are by recent NCAD or DIT graduates. Nollaig Molloy's 'seems to, so' upholds the sense of object disruption she often creates and also relates to the history of the Back Loft. Amanda Doran, the celebrated Saatchi New Sensation shortlist, stays on top form with Adams Family portraits, kid you not. There's a general eerieness to be got from the work, actually, that asks 'What abnormalities am I looking at?' Aisling NiChlaonadh's paintings stare out hauntingly and a collaborative piece by artist Ruth Kerr and PhD physician Eamonn Kennedy looks like molton gold but is in fact an image of cancer cells.
I'm excited about this show. It's by my good friend Mike (who received a nomination for the distinguished NCAD staff prize graduate show last year - you may recognize it). This is his first solo show. Generally I only befriend highly intelligent and confident people, you'll probably recognise these personality traits within his art work. We're lucky his body of work is ready on time at all. For the last three weeks he has been willing each piece to dry with masses of heaters in a large cold warehouse space. I've only just found out that he has also recorded a sound piece, him singing which will be piped out of a showeresque 'gas-chamberish spout'. Let him work yo into a lather with a voice I have heard hold some fierce Irish ballads at the end of many late nights. Realistically one to watch and perheps invest in.
Salon D'Exploration
Having been shown a photo preview of the work in this collaborative exhibitioin I can say it features pieces really utilising the idea of working with the characters and features of the building, some work literally creeping from the walls. All are by recent NCAD or DIT graduates. Nollaig Molloy's 'seems to, so' upholds the sense of object disruption she often creates and also relates to the history of the Back Loft. Amanda Doran, the celebrated Saatchi New Sensation shortlist, stays on top form with Adams Family portraits, kid you not. There's a general eerieness to be got from the work, actually, that asks 'What abnormalities am I looking at?' Aisling NiChlaonadh's paintings stare out hauntingly and a collaborative piece by artist Ruth Kerr and PhD physician Eamonn Kennedy looks like molton gold but is in fact an image of cancer cells.
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