Showing posts with label Katie Lilga Mooney Shepard. Show all posts
Showing posts with label Katie Lilga Mooney Shepard. Show all posts

Thursday, 15 January 2015

Groundwork - repost

Well my good friend Katie Mooney-Sheppard (also of Bringing Home The, a lovely food blog) has packed up and followed her dual citizenship to Australia, bringing the one and only hard copy of Groundwork, a zine we made together in 2013, with her. I thought I would re-post my piece from the zine again here as it's perfectly apt for this horrendous January. All of the Lights looks into light within cities, concentrating on Dublin. I talk about SAD, the introduction of street lamps, art works that use light, how a city can brand itself with light, Kaplan & Kaplan's 'soft fascinations', and Christmas decorations.

The images are also by Mooney-Sheppard. In the original hand bound zine they are their own page, inserted between folds. The translucent effect was added for the pdf. Anna Gallagher of Bask Design and Aine Gallagher (two very talented, unrelated girls) also both contributed to Groundwork.

Please open the images below in a new tab to enlarge.

All of the Lights





Here is the entire issue - http://issuu.com/georgiadabizz/docs/groundwork_archizine_january_2013

Friday, 22 March 2013

GROUNDWORK

I have just uploaded the first issue of Groundwork.

Collaborators;


Foreword                                Katie Mooney-Sheppard
The Dublin SITUATION      Áine Gallagher
All of the Lights                     Georgia Corcoran
Come in No. 3                        Anna Gallagher
On The Horizon                     Lorna Murphy
Things To Come                    Katie Mooney-Sheppard

http://issuu.com/georgiadabizz/docs/groundwork_archizine_january_2013

My piece, All Of The Lights, is the first article after the central photo story. We are currently working on our second issue which will have a theme of animals, in an urban context.

Monday, 14 January 2013

Archi Zines competition entry


Below is an excerpt from my essay style piece I included in a zine entered into the Archi Zines competition. It is titled 'All of the Lights' and discusses light within the context of a city environment. The zine was an extension of Groundwork, a recently established initiative I am part of. Its aim is to facilitate the research of members through an exploration of the infrastructure and architecture of Dublin and its surroundings. Monthly tours and outings are the basis of the group.


If you are interested in joining or would like more information, visit groundworkdublin.tumblr.com

All of the Lights

'Cities are places built up around trade and industrialisation. Where people flock for jobs, yet exist beyond their occupation. One is not just, as in small provincial towns, a butcher, a baker, a candlestick maker. With many people seeking security and excitement it becomes vital for each person to create their own identities. When you have been drawn to the bright lights you must stand out amongst the thousands of others. The distinction can be something that you have brought with you but in the depths and lanes and dance halls and shopping centres you are also given the opportunity to start afresh and create an identity that is entirely yours. This diversity of people is also what makes cities special. Is this why cities are filled with lights? To draw things to them. People are intrinsically drawn to light’s bright mysteries, but also to its strength. The sun supplies warmth and nourishment, as does fire. Both can also turn against civilisation. Either way light has been used excessively and notably by religions all across the world and has become essential to a blanket visual associated with cities - the larger, the brighter.'




The above picture is from the inside cover and was taken by Katie Mooney Sheppard - http://www.katiemooneysheppard.com/  The other collaborators were Aine Gallagher, Anna Gallagher and Lorna Murphy. I am currently looking into an inline version of the finished zine as it is a gorgeous publicationa nd I am very proud of it. Currently there is only one hard copy of it.

Tuesday, 26 June 2012

le cool *143

NCAD Grad Shows 

There is a kaleidoscopic array of works from this year’s NCAD graduates. As usual, the exhibition runs the gamut and features everything fromsteampunk-inspired metalwork to a set of Dublin Tarot Cards aptly entitled, C’mere Til I Tell Ya. Don't forget to walk towards St John's Lane which currently contains the Fine Art Media student's degree show. The first piece you'll come across is Jump by Hannah Moon. Little known fact - her pool was developed with the help of the same water design team who created Jedward'sEurovision fountain. I also recommend YvonneReynold's fascinating and shockingly real money display, Louise Kavanagh's gorgeous rows of layered wire forms, Katie Lilga Mooney Shepard's serene photo installation and Sarah Devereux's search for a sugar daddy, which ended up onBroadsheet

(This piece is a mix of a piece by Amy O'Connor and myslef.)

NCAD MFA show 

I really liked loads of this show, and it was fun to be in the Steambox building. Very EarlsfortTerrace-y. I believe it too was a school, there were aged crucifixes lying about the smoking area cleared out from the rooms. Two of myfavourite works were both video pieces. You'll understand more my particular attraction to them both when I tell you I was quite hungoverthe day I looked around. One was of a lady snaking her yoga body meditatively back and forth in sync with an image of her, the other was HUGE, of feet being massaged. Both were by Tanya O'Keeffe. Look out too for a subtle FrankWasser (who also has work in the NCAD gallery's Recent Graduates show, Work Head) and the first piece up the stairs, Paul O'Neill's, also exciting. Watch it from the start to the finish and feel intensely pumped.