Thursday, 28 February 2013

le cool issue *172

Michael FitzGerald is Moulting

I'm excited about this show. It's by my good friend Mike (who received a nomination for the distinguished NCAD staff prize graduate show last year - you may recognize it). This is his first solo show. Generally I only befriend highly intelligent and confident people, you'll probably recognise these personality traits within his art work. We're lucky his body of work is ready on time at all. For the last three weeks he has been willing each piece to dry with masses of heaters in a large cold warehouse space. I've only just found out that he has also recorded a sound piece, him singing which will be piped out of a showeresque 'gas-chamberish spout'. Let him work yo into a lather with a voice I have heard hold some fierce Irish ballads at the end of many late nights. Realistically one to watch and perheps invest in.

Salon D'Exploration

Having been shown a photo preview of the work in this collaborative exhibitioin I can say it features pieces really utilising the idea of working with the characters and features of the building, some work literally creeping from the walls. All are by recent NCAD or DIT graduates. Nollaig Molloy's 'seems to, so' upholds the sense of object disruption she often creates and also relates to the history of the Back Loft. Amanda Doran, the celebrated Saatchi New Sensation shortlist, stays on top form with Adams Family portraits, kid you not. There's a general eerieness to be got from the work, actually, that asks 'What abnormalities am I looking at?' Aisling NiChlaonadh's paintings stare out hauntingly and a collaborative piece by artist Ruth Kerr and PhD physician Eamonn Kennedy looks like molton gold but is in fact an image of cancer cells.





Saturday, 26 January 2013

le cool issue *169

Merchant Market

Given my level of practical perfection, it took a while to think of a resolution this year. I decided, ultimately, to concentrate on improving my surroundings. One motto of mine is 'always take the scenic route', which might very well surprise if ever you saw the shabby landing in my apartment. It needs to be shown some serious love and I do love a make over. (Cher's main thrill in life is a makeover, it gives her a sense of control in a world full of chaos.'- Dionne) In order to get some decorum in the house I held my Merchant (indoor) Market debut in Dublin's docklands. Watch out for the Lichten-style graffiti, you're headed the right way. I bought a small mother of pearl tray, a stunning cut glass lamp and a pretty mirror but I lusted after the unreal ornate puppet theater and a couple of vintage cocktail bars. Grab a cup of tea and a biscuit while you peruse.

Full issue - HERE -

http://www.merchantsmarket.ie/

Monday, 14 January 2013

Archi Zines competition entry


Below is an excerpt from my essay style piece I included in a zine entered into the Archi Zines competition. It is titled 'All of the Lights' and discusses light within the context of a city environment. The zine was an extension of Groundwork, a recently established initiative I am part of. Its aim is to facilitate the research of members through an exploration of the infrastructure and architecture of Dublin and its surroundings. Monthly tours and outings are the basis of the group.


If you are interested in joining or would like more information, visit groundworkdublin.tumblr.com

All of the Lights

'Cities are places built up around trade and industrialisation. Where people flock for jobs, yet exist beyond their occupation. One is not just, as in small provincial towns, a butcher, a baker, a candlestick maker. With many people seeking security and excitement it becomes vital for each person to create their own identities. When you have been drawn to the bright lights you must stand out amongst the thousands of others. The distinction can be something that you have brought with you but in the depths and lanes and dance halls and shopping centres you are also given the opportunity to start afresh and create an identity that is entirely yours. This diversity of people is also what makes cities special. Is this why cities are filled with lights? To draw things to them. People are intrinsically drawn to light’s bright mysteries, but also to its strength. The sun supplies warmth and nourishment, as does fire. Both can also turn against civilisation. Either way light has been used excessively and notably by religions all across the world and has become essential to a blanket visual associated with cities - the larger, the brighter.'




The above picture is from the inside cover and was taken by Katie Mooney Sheppard - http://www.katiemooneysheppard.com/  The other collaborators were Aine Gallagher, Anna Gallagher and Lorna Murphy. I am currently looking into an inline version of the finished zine as it is a gorgeous publicationa nd I am very proud of it. Currently there is only one hard copy of it.

Sunday, 23 December 2012

What I'm up to...

I'm currently working on a piece on using tanning beds for the first issue of Garter magazine.


http://gartermagazine.tumblr.com/

Here's a taster.
'In classical symbolism the attributes of Truth personified are the sun as it ‘reveals all’ and a mirror ‘which does not lie’.'

I'm also contributing a piece on light and darkness in Dublin city to a zine being submitted to the Archizines competition.

http://www.architecturefoundation.ie/activities/the-zine-challenge/

Wednesday, 19 December 2012

Tribal Dance

Recently I volunteered at a raw vegan holistic retreat, Hippocrates Europe. I was put in charge of organising the seaweed baths and received a massage daily. The actual participants were there for treatment from illness, mental or physical (although others were just there for a detox and casual therapy). It wasn’t really my business why each individual was there and far more interesting was seeing the participants grow over the week of juice diets, group therapy, relaxation, yoga, sexual awareness sessions, daily enemas (no joke). I gathered from the other volunteers that there is a large community of ex-addict-vegans who keep their body as clean from chemicals, parabens, meat, dairy, general animal produce, any negativity, alcohol and obviously drugs. The man behind this, who set it up and who took some time out to let me interview him is Darren Maguire. I met him on a Thursday at the Dublin Food Co-op where he does his weekly shop.

When did you first start getting into, not just veganism, but raw vegan diet?
I started touching on the raw vegan in 2004 when I was starting the program. When I was running smaller retreats. Way back when I was a chef I was very focused on nutrition, you know, so I was always researching, studying that- the nutrition end. So that's when I started really experimenting with it myself.

Had you been vegetarian before?
Yeah I started off with the vegetarianism and then slowly went into the vegan and then into the raw, yeah.

Five or so reasons why if you can?
Why? I mean you feel fantastic, fantastic energy, clarity, complete change in skin complexion. It makes sense... it makes sense. The other thing is all illness goes away, you don't get colds and flues or anything like that, or teeth problems.

Could you describe more about it 'making sense'?
For me, as a chef, I like to study things scientifically. When you research into it it makes a lot of sense in terms of disease free living, high energy living that kind of way it makes sense. Aay an example- when you eat meat it takes a lot of energy in our bodies, a lot goes on in our bodies to break down the meat to extract the amino acids. If you're using the meat as protein the body has to break down the amino acids. Whereas if you have protein in a raw vegan form it's straight amino acids, so your body doesn't have to break it down. That's something that's quite new. The bio-availability of nutrients. Before we talked about how something was nutritious and now we talk about how bio-available it is. So things like wheat grass go into the blood stream straight away and things like sprouts. That makes a lot of sense. Your body's working less. Also there's a lot of by products when your body has to work to break something down and your body has to clean that up. So your bodies not cleaning that up.

I thought there might be an ethical side to it?
For me? Well, you know, like I said I was a chef and I was a very passionate chef. I was very into animals. We used to serve meat on the menu and I was into organic meat and I was into how many days it was hung, all this kind of thing. So definitely ethical was not on the agenda at the start but interestingly enough when I got into raw vegan I became very moral and ethical... about it. Which is very interesting. There was just a shift, because I suppose, in a spiritual and philosophical way, they'd say you’re more grounded and connected with the earth when you're eating this way. I suppose that's kind of what happened I just became more connected to the earth and now I'm completely against it. It's interesting.

Could you talk about your personal working schedule, in terms of the year and what you do?
I'm full-time working for the program which is Hippocrates Europe and under Hippocrates Europe there's a number of projects. One is Tribal Dance which is a project in itself but it's also a fund-raising form for Hippocrates Europe. What we try and do with the space is to bring the dance community together with the twelve step people which has not been done before. We promote an alcohol free dance space which is a safe space. It's set up in a particular way and we attract a lot of people who are in recovery from addictions and obviously people who have come through our program but particularly people who are in addiction recovery. A lot of the dances out there for those particular people are very intimidating so we felt that Tribal Dance was filling a gap there because it's kind of like a bridge for them. We meet them where they're at. With the house music, ‘cause Tribal Dance is predominantly house music (and reggae) but predominantly house. We try and bring in consciousness, different exercises that we bring into the dance, the opening and closing circles, and also we have a lot of staff there who are very experienced and very present. We hope that allows people to feel a lot more safe and just be themselves because a lot of the time if we go to a dance [check that who he's referring to here are people in recovery at dances, clubs, etc aimed at people who drink alcohol, take drugs], we're intimidated and we don't feel particularly feel safe. We go to a place we call an ‘ego place’. So it's a place where we're not particularly in our bodies because we're on high alert. So we're not really being ourselves we're not really expressing freedom because we're kind of in this protection mode and we're being somebody else. It's an Ego state. So with Tribal Dance that's why we have a lot of people who are therapists, who are able to make eye contact, they're grounded. It’s a safe space energetically.

Could you explain more about the opening and closing circle?
The closing and opening circle is basically, again, to allow people to feel safe because a lot of the people may have never danced before or they may have never danced before while clean and sober. So the opening and closing circle is about them coming together as a community and saying their name, saying how they're feeling. Just by a small thing we're encouraging people to connect to their body, identify their emotional state and then say their name. Which we know makes a huge, huge difference to them in their night. Because if I say 'I'm Darren, I'm feeling nervous' there's a shift and it changes the whole night for people and people feel connected, people feel part of [the Tribal Dance] and this is the whole thing- to be connected, conscious. So that's the idea of that. That's Tribal Dance. A lot of work and time goes into that it's one of the projects. The other project is Living Food which does the food for all the different events. That's very time consuming. We’re the only dance space in Ireland that has only raw organic food, juices and teas. We’re promoting and educating people around that as well.  

Is that it's own catering company?
Yeah, and then there's next step recovery which is the five aftercare groups we run every week. So people who come through the program come to an aftercare group and then we have some people who haven't been to to the program yet but they come into the group anyway. That's just like a therapy group. We've five of them going every week.

It's a commitment [for the participants], they don't come and go they have to commit and come every week. Some stay for a year, some stay for two years. With Hippocrates Europe the after care is so important. There's a whole community of people, hundreds and hundreds of people who have come through the program who participate in the after care and they participate in the dances and the yoga and the message and things like that. People who've come down to the program then offer discount massages for the people. We check in with them, how’s their relationships? Are you getting enough touch, massage? How’s your sexuality? Are you able to express your femininity because it’s such a life force? We check in on all that and then we encourage them to touch base with the massage therapists and the raw food. The seven day program is just a platform.

When I was volunteering at the retreat I heard that there’s two different twelve step groups and that there’s a sort of ‘tension’ between them...
The tension I know about is, eh, one is CA - that’s cocaine anonymous - and the other is NA. They’re both twelve steps but the tension between them is because they approach it differently. We’re not affiliated with them obviously, we do promote people to get involved with twelve steps.

Is there a big difference between your groups and twelve step programs?
Oh yeah, what we do in the groups, it’s psychotherapy. It’s two hours every week and it’s a deep process, working on emotions, what’s trapped in the body but we encourage everybody to get involved in twelve steps.




Tribal Dance -
Outhouse - Nov 10th
Twisted Pepper - Sunday 25th Nov, and ongoing once a month on a Sunday

le cool issue *165

Merrion Square Pop-Up Design Shop 


For me what makes Dublin so magical and picture perfect at Christmas are the reliable Georgian squares and streets lined with the era's architecture and decorated from the inside out via high portrait windows that look in at warm fires and twinkling trees. Other seasonalfavourites of mine are mulled wine and mulling about town, familiar faces in crowds, each and everyone focused on buying presents. Well fancy this, the Irish Architectural Archives are throwing their Merrion square paneled doors open for a one day pop-up co-hosted by the Irish Design Shop. Standout gifts will be GarvandeBruir's sheepskin-lined laptop bags, Jenny Walsh's witty clocks, Merle O’Grady's jewellery, stationary brand Keep Sketch and Little Hill Design's gorgeous chopping boards. Warmth provided by the designers themselves, a chorus and spiced swigs.


Circustravaganza

As Napoleon Dynamite pointed out, 'girls only like boys who have good skills,' and as most of us are aware there's nothing more romantic then running away to the circus. Two very good reasons to go to Circustravaganza. Also I don't know about you but I've never been to one, so there's another reason. I can only imagine the fun it's going to be. Oh, for even one day to be part of the Big Top excitement! since this summer I have taken up hula hooping; I like it's rhythmic, meditative aspect. There's only so much Youtube videos can explain to you though so I'm going to focus on getting some sound, personalized advice from the tutors and being impressed by their close-up tricks. I'm not sure what hat manipulation is but the other classes are for various levels of juggling and clowning, body movement, poi and diablo. What a day out.


Full issue -HERE- 

le cool issue *164

Kenny Werner

Kenny Werner ia a jazz pianist from Brooookl-yn. A legend. A man of substance. He has this book he wrote called Effortless Mastery which is basically the go-to book for musicians aiming for improvement and understanding of improvisation but interestingly it's also a bit of a cult classic read for artists, business professionals, chefs (probably) and people who are interested in a free-flowing thought process that will lead them towards greatness in their work and life. That's the kind of thinking that goes into the music he makes. Proficient. So it's kind of a big deal that he's playing here in the Hugh Lane gallery for one of their lovely Sunday concerts. For free. He will be playing a solo so get there in time to be seated FROW. And if you have a copy of Effortless Mastery bring it along and get it signed.

Full issue -HERE-